Japanese Works of Art

The growing momentum behind at least some Japanese works of art – given Sotheby’s seal of approval with the announcement of its first dedicated sale in 11 years (ATG No 2357) – has been noted at a lower level in provincial rooms for some time.

Japonisme, western art inspired by Japanese art and design, is the theme of the next Decorative Antiques and Textiles Fair in London’s Battersea. At the event, which runs from October 2-7, a showcase in the foyer focuses on pieces that reflect the influence of Japanese design on European interiors.

A series of woodblock prints by the Japanese artist Kuniyoshi (1798-1861) portrays the 47 ronin, a group of ferociously loyal samurai who famously avenged their master’s death.

Sotheby’s is to test the temperature of the market for Japanese art with its first dedicated sale in London for more than a decade.

The 195-lot collection of mask netsuke amassed by Swiss entrepreneur Peter Müller met with mixed success when offered by Matthew Barton (24% buyer’s premium).

Results for Kakiemon and Meiji metalwork underline stronger market for Asia’s ‘second tier’

Widely exported during the Meiji period to a Western market newly awake to the skills of Japanese craftsmen, okimono now often appear at provincial salerooms.

With Bonhams the only one of the ‘big three’ in this market, other salerooms carve out a role...

Here we ask the dealers who participated in ATG's Round Table discussion the reasons why they choose to stand at the fair and ask them to pick out a star item they are taking this year.

Mallams will sell a significant Dutch collection of Japanese swords and armour as part of this week’s auction of Chinese, Japanese, Indian and Islamic Art in Cheltenham on October 25-26.

This Japanese bronze okimono of turtles – symbolic of longevity and good luck – belonged to the empress Shōken (1849-1914), the consort of the emperor Meiji who ruled Japan from 1868-1912.

The collection of Japanese and Chinese works of art at Eaton Neston near Towcester was formed largely by Thomas George Fermor-Hesketh (1849-1924).

The slow, but observable, return of competition for fine Japanese works of art was evident at Hannam’s (20% buyer’s premium) of Selborne on August 23 in the form of this large Meiji ivory scholar’s table screen, below.