Japanese Works of Art

The arts and antiques of Japan have been collected in the West ever since the country reopened its doors to trade with foreigners in the 1853. 

Japanese art spans early wood sculpture dating back to the Momoyama period and prized early porcelain from the Nabeshima or Kakiemon kilns. However many of the collectable categories of Japanese art date from the Meiji period (1868-1912) such as miniatures like netsuke and inro, metalwares, bronze sculptures, armour, swords and sword fittings such as tsuba.


Sotheby’s rethink approach to Japanese sales

07 January 2002

Japanese works of art sales will no longer be held on a regular basis by Sotheby’s New York. Specialist Sachiko Hori will be retained by the company, while her co-director Ryoichi Iida will become a consultant.

Japan bronze is Glasgow star

26 July 2001

THE local west Scottish trade were the driving force behind the 75 per cent take-up on the 589 lots offered at Mctear's. Glasgow on June 15 – including the surprise star piece.

London-Brighton battles boost netsuke bids

21 June 2001

UK: AN 80-lot collection of Japanese netsuke, inro and okimono from the deceased estate of a Lewes-based collector lifted the proceedings in Raymond P. Inman’s Sussex sale.

What’s in a Namikawa?

09 April 2001

US: A Japanese cloisonné enamel vase usurped an 18th century Chinese jade brushwasher – expected to be the star lot – to take pride of place in Sloan’s (15/10 per cent buyer’s premium) Asian Ceramics and Works of Art sale on April 2, Washington DC.

A piece of porcelain fit for princes

19 February 2001

UK: JAPANESE porcelain does not come much rarer or more expensive than that produced by the private factory of the princes of Nabeshima, which is why auctioneer Nigel Kirk’s pulse quickened when he first glanced at this 8in (20cm) diameter dish, illustrated here, entered for the January sale of Mellors and Kirk.

£50,000 for a graphic display of the art of lacquer

09 August 1999

UK: JAPANESE lacquer is a complex form of decoration requiring the painstaking application of layer upon layer and incorporating different materials to build up the finished pictorial surface.

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