Vase

High drama at the Chichester auction rooms of Henry Adams on July 19 when this pair of Chinese famille rose moon flasks shot to £760,000. The price, a house record, is also the fourth highest ever achieved in a UK auction room outside of London.

The Asian art juggernaut thunders on with little sign of any slowdown in the market. If anything, the pace seems to be intensifying.

This Chinese turquoise ground ewer, standing just 73/4in (19.7cm) high, belongs to a group of ritual wares specially commissioned by the Qing Court for placement on Buddhist altars. Their function was for ceremonial use in palaces and temples either within the Forbidden Palace or Bishushanzhuang in Chengde.

Two pieces of Yuan dynasty blue and white porcelain smashed coveted auction records in the UK salerooms last week.

A COUPLE of exotic sleepers swelled the tally at Lays Auctions (15% buyer's premium) September 23-24 sale which also boasted healthy prices for more home-grown fare such as Troika and Newlyn copper.

WITH London hosting Asia week, Olympia and Grosvenor House in June, there was always going to be a trade battle for a Chinese vase which proved the sleeper of Charterhouse's (15% buyer's premium) 870-lot May 21 auction.

AUCTIONS are often the best way of settling whether a work is genuine or not. Of the speculative entries in Christie’s South Kensington’s 584-lot sale on June 11, most were contested by Hong Kong and mainland Chinese dealers. Before the sale, trade and auction specialist opinion was divided as to whether this 10 1/2in (27cm) high blue and white vase (shown right) was a Yongzheng (1723-35) mark and period vessel or a 19th/20th century copy as catalogued.

Pictured right is the highlight of what turned out to be London’s Asia Week’s most successful auction.

THE Bonhams empire has embraced the notion of niche markets in pragmatic fashion, each of the various outposts having its own speciality – while the Scottish branch, which sells across the range of the market, breaks its sales into single specialist offerings. On March 18 Bonhams Edinburgh (17.5/10% buyer’s premium) offered 375 pieces of jewellery and silver with the following day’s sale comprising 198 items of Asian art, ceramics and glass.

THE large number of increasingly wealthy mainland Chinese dealers and collectors participating in UK auctions are pushing up the prices in certain sectors of the market, including 19th century Chinese-taste ceramics. In the past this area has largely been overlooked in favour of imperial porcelain from earlier periods, but with the best 18th century mark and period routinely commanding six-figure sums, 19th century ceramics must look good value for money.

A Massachusetts auction house is being sued for breach of contract and malpractice after a Chinese vase it sold for $23,000 returned to auction six months later at Christie’s Hong Kong where it brought $1.55m.

On September 16, Doyle New York will sell the F. Gordon Morrill collection of Chinese and Chinese Export porcelain. Considered to be one of the last great collections of early blue and white Chinese porcelain still in private hands – the Museum of Fine Arts, Boston has described the Morrill collection as “equal in quality to the superb collection at the Ardebil Shrine in Tehran, Persia” – the archive was assembled during the 1960s and 70s, when many notable collections came onto the market.

The resurgence of interest from Asian buyers in quality transitional blue and white sleeve vases was seen at Sotheby’s (22% buyer’s premium) in Amsterdam, when this finely painted example, right, illustrating boys presenting gifts to a number of scholars, topped the 243-lot Asian sale on May 21.

THERE was a greater concentration of Chinese Export porcelain at Christie’s King Street (19.5/12% buyer’s premium) than at either of the other two houses with a single- owner collection of European-subject Export ware offered in a separate catalogue on June 17 and a private collection of famille verte porcelain in mixed condition that was 99 per cent sold by lot and by value, included in their mixed-owner sale on the same day.

This pair of Qianlong turquoise-enamelled Cong vases, 8in (20cm) tall, with coral trigram decoration in relief, made €320,000 (£221,000) against an estimate of €20,000 at the March 7 sale at Piasa Oriental sale (17.94/11.96% buyer’s premium).

“Is it 19th century?” a London dealer inquired of this unusual famille verte vase illustrated right which had been consigned to Woolley & Wallis’s sale with its partner, the more classical, yen yen vase, far right.

After the spectacular HK$37m (£3,394,495) price bid for the Yongzheng (1723-35) peach vase in Sotheby’s Hong Kong May 7 sale, their New York rooms had high hopes for this yellow ground famille rose double gourd vase, Qianlong period (1736-95), consigned by the same private US vendor, in their Chinese outing on September 19. They were not disappointed by the outcome.

This vase may have come from relatively humble surroundings but the London trade had no doubt that it was fit for a king. The 18th century blue ground imperial vase, 133/4in (35cm) high, was offered at Bearne’s, Exeter on July 2.

AUCTIONEER Mark Bowman is hardly the first auctioneer to be taken aback by the price achieved by a piece of Oriental porcelain, and not just at provincial rooms like his operation at the Wotton Auction Rooms (10% buyer’s premium).

A large, gilt-copper altar statue of Amitayus, the Buddha of Infinite Life, on a lotus flower base, right, 3ft 2in (96cm) tall and hailing from Inner Mongolia/Dolonnor or China (c.1700), proved the main attraction at Nagel’s Asian Art sale in Stuttgart on November 10, selling for DM420,000 (£134,000).